The accumulation

Accumulating to create your own language... This technique has always run through the history of art, filling the eye to satisfy the mind, trying to capture the climax, amassing in a more or less ordered but always disproportionate way. In this eminently generous approach, the “too much” constitutes the beginning of an imagination. Gommringer accumulates the typographical words, Haack the crucifixes, JL Parant the stones, Ai Weiwei the bicycles, César the magazines, Kawamata the wooden crates...

Architects also explore urban accumulation, as evidenced by the Angoulême media library or the Viennese Hundertwasserhaus of the eponymous painter inspired by Gaudi. We also think of the world of design, with Richard Hutten and Droog Design or the Campana brothers who accumulated materials from the favelas to make seats, offering a new grace to bitterness. By allowing you to build your own accumulation of worn objects, LE GRAMME offers everyone the opportunity to develop their own poetry of shapes through a unique construction.
“In this eminently generous approach, the “too much” constitutes the beginning of an imagination. »
“Nothing was so beautiful, so agile, so brilliant, so well ordered... The trumpets, the fifes, the oboes, the drums, the cannons formed a harmony such as never existed in hell” . Like other authors, Voltaire used accumulation, spouting terms belonging to the same category to amplify his point. Smooth polished, smooth brushed, pyramid guilloche, vertical, horizontal, perforated, cables... 1g, 3g, 7g, 9g, 15g, 21g, 33g, 41g, 67g, 107g. LE GRAMME in turn lists the elements of a creative project imagined to be reinvented by everyone according to each identity.
“Nothing was so beautiful, so agile, so brilliant, so well ordered... The trumpets, the fifes, the oboes, the drums, the cannons formed a harmony such as never existed in hell” »
An accumulation of bracelets or rings LE GRAMME ultimately amounts to the creation of a new language, each object becoming part of a personal message, like the exquisite corpses initiated by the surrealists Prévert and Tanguy who explored the unconscious by matching subject, verb and complement before the graphic arts get involved.

With its 30 collections of bracelets and 18 of rings, LE GRAMME offers more than 285 objects worn in 925 Silver and 750 Gold, an infinite field of possibilities for those who take part in the game of accumulation.
“An accumulation of LE GRAMME bracelets or rings ultimately amounts to the creation of a new language, each object becoming part of a personal message,...”
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